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The Research Projects of the CRC 626

The CRC 626 consists of three project areas encompassing in all 17 different projects. In January 2008 the Emmy Noether Junior Research Group 'Kosmos/Ornatus. Ornament as a Form of Cognition - A Comparison of Persia and France c. 1400' was associated.

Research Project A1	Aesthetic Experience and Visual Knowledge
Research Project A3	Mediacy and Immediacy in Modern Art
Research Project A4	Suspicions of Fiction: A Boundary Figure of the Aesthetic in the Russian Avant-garde
Research Project A5	The Denial of Aesthetic Experiencability and Attempts at Restitution
Research Project A7	The Immanent Dissolution of Limits in Contemporary Art Practices and in the Experience of Art

Research Project B1	The Specificity of Aesthetic Experience in Literary Artefacts
Research Project B2	Aesthetic Experience as Liminal Experience
Research Project B3	On the Significance of Illusion and Fiction in Aesthetics and Film Aesthetics
Research Project B4	The Future of Art Music, Saved by the Diversification of Aesthetics?
Research Project B6	Topographies of the Ephemeral: Movements of Transferal between Choreography – Architecture – Literature
Research Project B7	The Politics of Aesthetics in Western European Cinema

Research Project C2	Classical Concepts of Aesthetic Experience and Their Modern Reception
Research Project C7	Inspiration and Subversion: Artistic Creation as Aesthetic-Religious Experience
Research Project C8	Aesthetic Dimensions of the Arabic Language: Text, Image, Sound and Artistic Artifact
Research Project C9	Towards a Theory of Aesthetic ‘Liveliness’
Research Project C10	The Intermedial Transgression of Boundaries between High and Low Art: On the Sociology of Aesthetic Experience
Research Project C13	Sensory and Symbolic Reflexivity in Aesthetic Media